CHLOE STALLY-GIBSON

LIGHTING DESIGNER & PRODUCTION MANAGER

 
 

THE BARN

The Turbine | May 2021 | Lighting Designer

Written by Naomi Miller and Paul Bradshaw

Directed by Paul Bradshaw

Produced by Tanya Truman

Presented by theatrical.solutions

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ON CLOUD NINE

The White Bear | December 2020 | Lighting Designer

Written by Mai Weisz

Directed by Laura Wohlwend

Produced by Tanya Truman

Presented by theatrical.solutions

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CAPITAL ORCHESTRA

LSO St. Luke's & Cadogan Hall | 2017-2020 | Lighting Designer

Artistic Director Sam Gale

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A CAPPELLA

Various Venues | 2017-2020 | Technical Manager, Production Assistant, & Lighting Designer

I started my professional theatre career at the Edinburgh Fringe in 2017 with an a cappella group called 'All the King's Men'. Since Then a cappella has remained a cornerstone in my career as I've gone on to work for several other groups including 'Sons of Pitches', 'Out of the Blue', 'Aquapella', and many more. This included a UK tour, 3 sold out fringe runs and working as a production assistant for the 2020 ICCAs in various venues across the UK.

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SANE AND SOUND

Milton Court Theatre | 2019 | Lighting Designer

Composer Matthew Geer

Conductor Finan Jones

Director Katie Bunting

Set & Costume Designer Sam Harris

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OTHER WORK

Stage Management + Lighting Design

Other notable projects include:

LSSO Concert - Snow White (2020) Barbican - Deputy Stage Manager

Paper Straws (2019) Soho Theatre - Lighting Designer

These Wandering Stones (2019) Barbican Sound Unbound - Stage Manager

Red Velvet (2019) Guildhall School - Lighting Designer

Legally Blonde (2019) Greenwood Theatre - Lighting Designer

Into the Woods (2017) Greenwood Theatre - Lighting Designer

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THE ANGEL ESMERALDA

GSMD - 2019 - Production Manager

Composer Lliam Paterson

Librettist Pamela Carter

Director Martin Llyod Evans

Set & Costume Designer Gregor Donnelly

Lighting Designer Robbie Butler

Video Designer Liam Strong

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OPERA SCENES AND OPERA MAKERS

GSMD - 2019/2020 - Production Manager

During my time at Guildhall I worked on 4 'Opera Scenes' and 2 'Opera Makers' performances. I began as a production assistant in the 2018 Autumn Opera Scenes and then worked my way up to Deputy Production Manager for Spring Opera Scenes 2019 and then Production Manager for Opera Makers 2019 and 2020 (which took place virtually due to the Covid-19 outbreak). 

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